The Body of Sound: Ahmed Essyad’s Electroacoustic music
Interview by Gilles Aubry
Ahmed Essyad is a composer born in 1938 in Salé, Morocco. After studying music at the Rabat Conservatory in Morocco, he moved to Paris in 1962, where he became a pupil and then assistant to Max Deutsch. Interested in ethnomusicology, he focuses his research on orality and notation, as well as on musical time and pulsation. His music is a blend of Berber oral tradition, serial writing, Gregorian and modal influences. Between 1972 and 1974, he composed a series of electroacoustic pieces in the Centre Américain studio in Paris.